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Β Home Alone 2: Kevin’s Next Trap (2026) – When Nostalgia Triggers the Perfect Holiday Ambush
A festive, funny, and surprisingly heartfelt return to one of cinema’s most mischievous holiday heroes. β˜…β˜…β˜…β˜…β˜†

It’s been more than thirty years since Home Alone became a global holiday staple, but in Home Alone 2: Kevin’s Next Trap, the franchise makes an ambitious comeback, blending classic slapstick charm with updated 21st-century mischief. Directed once again by Chris Columbus, and with Macaulay Culkin returning as a grown-up Kevin McCallister, this sequel feels like a love letter to the original while daring to ask: what would happen if Kevin faced today’s criminals armed with today’s tech?

 

The film finds Kevin living a relatively quiet life as a top-tier home security designer. He’s left the chaos of his childhood far behindβ€”or so he thinks. Days before Christmas, a freak snowstorm cuts off his countryside smart home from the outside world. Unfortunately, his isolation coincides with the arrival of a notorious crew of international burglars led by the razor-sharp mastermind Lena Cross (played with icy precision by Eva Green). Their mission: steal Kevin’s unreleased security prototype worth millions on the black market.

From the moment the burglars step onto Kevin’s property, the audience knows they’ve made a terrible mistake. Kevin’s inventive genius hasn’t dulled with age; if anything, it’s evolved. The traps in Kevin’s Next Trap are pure crowd-pleasersβ€”imagine a drone that dumps sticky maple syrup on intruders, pressure sensors that trigger airbag blasts, 3D-printed ice marbles covering staircases, and a booby-trapped cappuccino machine that sprays hot foam at just the right comedic moment. These set pieces feel both modern and hilariously old-school, capturing the franchise’s playful spirit while delivering jaw-dropping visuals.

Culkin slips back into Kevin’s shoes with surprising ease, balancing self-awareness with genuine warmth. His performance plays to the audience’s nostalgia without becoming a parody of the past. There’s a quiet subplot where Kevin, now an uncle, teaches his niece (a charming breakout performance from newcomer Isla Jennings) the value of using wit over forceβ€”a touching echo of the lessons he learned as a kid. This intergenerational dynamic adds emotional weight to the chaos, grounding the spectacle in genuine heart.

Supporting performances add layers of fun. Catherine O’Hara’s brief return as Kevin’s mother offers some of the film’s warmest moments, while a quick cameo from Daniel Stern (one-half of the original Wet Bandits) is a wink-and-nod gift to long-time fans. The burglars themselves are more than caricatures; each has a distinct skill, making the battle of brains and brawn more suspenseful than in past entries.

Visually, the film is a festive feast: glistening snow, twinkling lights, and cozy interiors are contrasted with the inventive chaos of Kevin’s booby-trapped fortress. The cinematography by John Schwartzman keeps the action clear and kinetic, while the score by John Williamsβ€”yes, he’s backβ€”beautifully reworks the original themes into something fresh yet familiar.

If there’s a flaw, it’s a slightly bloated second act where the setup for each trap occasionally overstays its welcome. However, the payoff in the third actβ€”a frenetic, laugh-out-loud showdown that spills from the living room to the frozen backyardβ€”is worth every minute of buildup. By the time the credits roll, Kevin’s Next Trap has delivered both the chaotic laughter and warm holiday fuzzies audiences crave.

Ultimately, Home Alone 2: Kevin’s Next Trap succeeds because it respects its roots while embracing modern storytelling. It’s a rare sequel that manages to feel both like coming home and like starting a new adventure. And in true Kevin McCallister fashion, it leaves you smiling, maybe even inspired to get a little creative with your own holiday decorations.

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