Woman Walks Ahead (2017) is a thoughtful and beautifully rendered historical drama directed by Susanna White, starring Jessica Chastain in a powerful performance as Catherine Weldon—a widowed portrait artist from Brooklyn who travels alone to the Dakota Territory in the 1890s with a singular mission: to paint the legendary Sioux leader Sitting Bull.
Plot Overview
Inspired by true events, the film follows Weldon’s journey west during a time of deep political tension between Native American tribes and the U.S. government. Upon arriving at Standing Rock, she meets a wary but dignified Sitting Bull (played by Michael Greyeyes), who is skeptical of her intentions. Despite resistance from local authorities and army officials, including the stern Colonel Silas Groves (Sam Rockwell), Weldon gradually earns Sitting Bull’s trust.
Their bond deepens as she becomes increasingly involved in the Lakota people’s fight to retain their land and way of life in the face of growing U.S. government encroachment. What begins as an artistic endeavor evolves into a profound political and emotional awakening.
Themes and Style
Woman Walks Ahead is a quiet but impactful film that weaves themes of colonialism, gender roles, and cultural understanding into its narrative. Through Catherine’s outsider perspective, the film explores the moral complexity of America’s westward expansion and the resilience of Native American identity.
The cinematography captures the sweeping, stark beauty of the western frontier, serving as a fitting backdrop to a story about inner and outer battles for dignity, freedom, and voice. Jessica Chastain delivers a restrained, introspective performance, while Michael Greyeyes brings gravity and warmth to his portrayal of Sitting Bull.
Conclusion
More than just a historical biopic, Woman Walks Ahead is a meditative and humanizing look at two unlikely allies navigating a world defined by injustice and misunderstanding. It quietly honors the strength of those who resist, the power of empathy, and the courage it takes to stand on the right side of history—even when walking alone.
